‘We’re the cultural resistance’ | Financial Times

Within the first few weeks of Putin’s “particular navy operation”, when Kyiv was surrounded and greater than two million residents fled, many feared that the capital would fall rapidly. In a battle pushed by one man’s perception that with out Russia there isn’t any Ukraine, Kyiv, the nation’s cultural crowning jewel, turned a major goal. However amid the shelling, destruction and ongoing brutality, a resistance motion has emerged – one powered by artwork, artists and the idea that Ukraine’s heritage must be protected in any respect prices.

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Artists at Danger
artistsatrisk.org

Razom
razomforukraine.org/donate

SaveArtUA
saveartua.com

The Ukrainian Cultural Affiliation within the UK
ucauk.com

Ukrainian Emergency Artwork Fund
ueaf.moca.org.ua

By March it turned clear {that a} “new wave in Ukrainian artwork [was] approaching,” says Olga Balashova, head of the Museum of Up to date Artwork NGO, which helped set up the Ukrainian Emergency Artwork Fund, an initiative based by 4 distinguished artwork our bodies together with Kyiv gallery The Bare Room. “Tradition is likely one of the major goals [of] the assault – it’s our intention to make sure that Ukraine’s voice is saved alive and vibrant.” The place exhibitions and productions have been cancelled, creatives have spun issues round and launched impartial initiatives. Take director Semen Gorov, who not too long ago pivoted from a state-funded characteristic movie to a documentary about Ukrainian artists residing within the context of battle. Or Masha Reva, who in April helped increase round €70,000 in humanitarian help via the fundraising exhibition Underneath the Open Sky.

Back row, from left: curator Andrii Siguntsov. Artist Ivan Svitlychnyi. Writer and curator Kostiantyn Doroshenko. Poet Myroslav Laiuk. Literary translator Iaroslava Strikha. Product designer Dan Vakrhameyev and (behind) his wife Kateryna Vakrhameyeva. Artist Mykola Ridnyi. Artist Liera Polianskova (on ladder). Photographer and spatial designer Oleksandr Burlaka. Director Pavel Buryak. Architect Katya Zuieva. Middle row, from left: artist Olesia Trofymenko. Fashion designer Artem Klimchuk. Artist and creative director Masha Reva. Front row, from left: director Semen Gorov. Photographer Vasylyna Vrublevska. Artist Sasha Kurmaz. Choreographer Svitlana Vechirka
Again row, from left: curator Andrii Siguntsov. Artist Ivan Svitlychnyi. Author and curator Kostiantyn Doroshenko. Poet Myroslav Laiuk. Literary translator Iaroslava Strikha. Product designer Dan Vakrhameyev and (behind) his spouse Kateryna Vakrhameyeva. Artist Mykola Ridnyi. Artist Liera Polianskova (on ladder). Photographer and spatial designer Oleksandr Burlaka. Director Pavel Buryak. Architect Katya Zuieva. Center row, from left: artist Olesia Trofymenko. Designer Artem Klimchuk. Artist and inventive director Masha Reva. Entrance row, from left: director Semen Gorov. Photographer Vasylyna Vrublevska. Artist Sasha Kurmaz. Choreographer Svitlana Vechirka

The group of creatives gathered for this characteristic, photographed by Lesha Berezovskiy in Reva’s studio, have chosen to stay in Kyiv for so long as they will. Some keep to assist with the volunteer effort; others have camped out in museums to are inclined to displays. (Many establishments have hidden their collections in response to studies of Russian troops looting historic artworks.) All are united of their opinion that preserving Ukraine’s tradition is essential. “In Kyiv, it’s simpler to be free,” says Balashova. “It at all times was, and nonetheless is, a melting pot of Ukraine.” 


Mykola Ridnyi, 37, artist
“Numerous my works produced from 2014 to 2022 replicate on violence attributable to the battle,” says Kharkiv-born Ridnyi, who predominantly works with video, and whose work is held within the everlasting collections of Munich’s Pinakothek der Moderne, the Neuer Berliner Kunstverein and the Museum of Fashionable Artwork, Warsaw. “It’s unattainable to replicate on the continuing battle when it encircles you,” he says. “Distance is required to make new paintings.”

Oleksandr Burlaka, 40, photographer and spatial designer
When battle broke out, Burlaka had been engaged on the design for an exhibition of works by Ukrainian new wave painter Oleksandr Roytburd. Now, he says: “My work is of little significance; I’ve to do my finest to assist the Ukrainian military, to look after my household and to speak with folks from different international locations asking to unite collectively to outlive.” He stays in Kyiv to assist with the volunteer effort. 

From left: artist Mykola Ridnyi, photographer Oleksandr Burlaka, choreographer Svitlana Vechirka and director Pavel Buryak
From left: artist Mykola Ridnyi, photographer Oleksandr Burlaka, choreographer Svitlana Vechirka and director Pavel Buryak © Lesha Berezovskiy

Svitlana Vechirka, 32, choreographer
“At first, dance seemed to be not vital, not related,” says Vechirka, a former dancer for Kyiv Fashionable Ballet, one of the vital progressive dance firms in Ukraine. However after battle broke out, she “began to carry free dance improvisation courses to alleviate stress and work via feelings”, she says. “Thanks to bounce and bodywork instruments, I’ve managed to manage with concern and apathy.”

Pavel Buryak, 31, director, author and inventive producer
“If all artistic minds depart, who’ll develop this nation?” asks Buryak, whose work spans movies, music movies, commercials and documentaries. “We may have a protracted restoration interval, so we’ll want all these folks right here.” A recipient of quite a few awards – from festivals together with Cannes Lions and UK Music Video Awards – Buryak has not too long ago pivoted to serving to promote Ukrainian vogue manufacturers and creating content material for president Volodymyr Zelenskyy’s platform United24. 


Artem Klimchuk, 35, dressmaker
Klimchuk’s demi-couture collections are finest recognized for his or her minimalist silhouettes; his embroidery work was seen on a shirt worn by Olena Zelenska, Ukraine’s first girl, in 2021. “It’s my dwelling, my patrimony; I belong right here,” he says of the choice to remain in his native Kyiv. “I’ve began to understand the folks I work with much more – and likewise the purchasers who purchase my garments.” 

From left: fashion designer Artem Klimchuk, director Semen Gorov, writer and curator Kostiantyn Doroshenko and artist Olesia Trofymenko
From left: dressmaker Artem Klimchuk, director Semen Gorov, author and curator Kostiantyn Doroshenko and artist Olesia Trofymenko © Lesha Berezovskiy

Semen Gorov, 51, director
This yr, Gorov was scheduled to shoot a full-length characteristic movie funded by the state, however the mission was cancelled on the finish of February. As a substitute the director, whose work contains music movies and musicals, is creating his personal movie; a response to the expertise of being an artist residing within the context of battle. “Kyiv and Ukraine want me,” he says. “If everybody leaves, it means nobody wants this metropolis and nation.” 


Katya Zuieva, 29, architect
The co-founder of architectural observe AKZ Architectura says she stays in Kyiv “to assist town”; providing lifts, cooking for the navy and supporting the aged. “Ukrainians are the bravest,” says Zuieva, who nonetheless has purchasers trying to “dwell their finest life” and preserve constructing homes. “[We] are alive and proceed to create and rejoice as a lot as attainable.”

From left: poet Myroslav Laiuk, translator Iaroslava Strikha, product designers Dan Vakrhameyev and Kateryna Vakhrameyeva and artist Olesia Trofymenko
From left: poet Myroslav Laiuk, translator Iaroslava Strikha, product designers Dan Vakrhameyev and Kateryna Vakhrameyeva and artist Olesia Trofymenko © Lesha Berezovskiy

Liera Polianskova, 39, and Ivan Svitlychnyi, 33, artists
Within the first few months of battle, the Kharkiv-born couple camped out within the Nationwide Artwork Museum of Ukraine, the place they helped preserve its displays. Beforehand each had contributed to the Ukraine pavilion on the 2017 Venice Biennale, and been named winners of the State of the ART(ist) Name, a platform selling creatives prone to oppression and battle. “Work has turn into escapism,” says Polianskova. “Artwork helps you perceive what you reside for.” 

Vasylyna Vrublevska, 38, photographer
Vrublevska works with magazines together with Vogue Ukraine, in addition to vogue manufacturers equivalent to RCR Khomenko, Elenareva and Karavay. She is finest recognized for her portraits and cultural reportage, equivalent to the pictures of a Christmas celebration in a tiny Ukrainian village close to the border with Romania. “I began to take a whole lot of documentary photographs of the Russian invasion,” she says of her present focus. “I really feel I can do extra right here than anyplace else.”


Masha Reva, 34, artist and inventive director 
“Being at dwelling and reflecting on what’s occurring right here is probably the most trustworthy strategy to my work,” says Reva, who moved to Kyiv in 2005 and whose swirling summary artworks have invited curiosity from creatives together with dressmaker Simon Porte Jacquemus and Harry Types, who used one in all Reva’s vibrant items as a backdrop in his video for “As It Was”.

Reva is targeted on bringing Ukraine’s cultural abilities to an “worldwide viewers”: opening in New York in November is I Am U Are, a curation of Ukrainian artwork, design and know-how.

Artist and creative director Masha Reva (left) and artist Sasha Kurmaz
Artist and inventive director Masha Reva (left) and artist Sasha Kurmaz © Lesha Berezovskiy

Kostiantyn Doroshenko, 49, author, critic and curator 
Doroshenko has staged Ukrainian artwork exhibitions within the US, Asia and Europe. However in the course of the first weeks of battle, he approached his work with apathy and frustration. It wasn’t till he found the “humaneness and mutual help” of fellow Ukrainians that he felt impressed; the basis of that inspiration was Kyiv. “Right here is my library, the Dnipro river,” says Doroshenko. “Right here the streets, homes and districts are shut and fascinating – from Pechersk, seething with life and variety, to the soviet buildings of Lisovyi Masyv.”


Andrii Siguntsov, 30, curator
As chief curator on the Museum of Odesa Fashionable Artwork, Siguntsov is often answerable for the constructing’s collections and acquisitions. Earlier than that, he headed up Kyiv Artwork Week, organising a collection of idea events that grew into its personal competition. “Due to its tradition, Ukraine has defended its proper [to be] on the map,” he says. “All my efforts will now be directed to the event and preservation of trendy tradition.”

From left: writer and curator Kostiantyn Doroshenko, curator Andrii Siguntsov and product designer Dan Vakrhameyev
From left: author and curator Kostiantyn Doroshenko, curator Andrii Siguntsov and product designer Dan Vakrhameyev © Lesha Berezovskiy

Sasha Kurmaz, 36, artist
“For some time I might do completely nothing,” says Kyiv-born Kurmaz, talking of the disruption to his observe within the instant aftermath of Putin’s assault. “I felt like I had misplaced my voice in the face of the horrific actuality.” Working in a variety of media – “pictures, video, public intervention and performative conditions” – Kurmaz creates wry portrayals of social points and energy constructions, lots of that are offered in public areas. He says he stays in Kyiv “as a result of it’s my dwelling”. 


Myroslav Laiuk, 32, poet
“Kyiv is the centre of the free world these days,” says Laiuk, senior lecturer of literary idea on the Nationwide College of Kyiv-Mohyla Academy. He believes in “returning Ukrainian tradition to the worldwide discourse and explaining to the west why motion is required and why we’re to be chargeable for what occurs now”. Laiuk additionally volunteers on the outskirts of Kyiv, clearing ruins and serving to with repairs.

From left: poet Myroslav Laiuk, translator Iaroslava Strikha, product designers Dan Vakrhameyev and Kateryna Vakhrameyeva and artist Olesia Trofymenko
From left: poet Myroslav Laiuk, translator Iaroslava Strikha, product designers Dan Vakrhameyev and Kateryna Vakhrameyeva and artist Olesia Trofymenko © Lesha Berezovskiy

Iaroslava Strikha, 34, literary translator
Strikha is presently translating Susan Sontag’s On Images, however she can be the Ukrainian voice for the likes of Henry David Thoreau, Julian Barnes, Kate Atkinson, Paul Auster and Don DeLillo. Having studied at Harvard College, the place she accomplished a PhD in Slavic languages and literatures, she will not think about residing anyplace however in her native Kyiv. “The chance of missile strikes is a good tax to pay for residing in probably the most thrilling metropolis on this planet,” she says.

Dan Vakrhameyev, 34, and Kateryna Vakhrameyeva, 35, product designers 
“We’re decided, constructive and united,” say the husband and spouse behind design studio +kouple. Dan and Kateryna based their model after 2014’s Revolution of Dignity, which noticed the ousting of president Viktor Yanukovych. Within the face of battle, manufacturing will stay in Kyiv “irrespective of the circumstances”, they are saying. “We consider within the energy of brilliant folks. These instances [are] for robust people to maintain working, creating, producing and preventing.”

Olesia Trofymenko, 40, artist
An alumnus of Kyiv’s Nationwide Academy of Superb Arts and Structure, Trofymenko creates installations that mix paint and embroidery and are pushed by “feelings and interior music”. Most not too long ago, her work has appeared in Dior’s fall high fashion present, a set impressed by Ukrainian folklore.

“My house is Ukraine,” says Trofymenko of her choice to remain in Kyiv. “After the battle started I began to really feel extra accountable [for] my artworks and the phrases I say as an artist.” 

The creatives in Masha Reva’s studio in Kyiv
The creatives in Masha Reva’s studio in Kyiv © Lesha Berezovskiy